There is nothing but the sound of my own footsteps brushing the ground of an empty promenade. Where colour once met laughter, buildings now lie shuttered and cries of seagulls echo in the breeze. A town has closed shop for season’s change and the Golden Mile is haunted by absence.
I pass Ripley’s Believe It Or Not, its loudspeaker invitation to roll up now, mercifully, silent. Once, I did step inside and didn’t believe a word. But I do know the plastic façade that is the museum’s frontage masks a building‘s secret. A past hidden from the outside. Cross that threshold into within and walk through a living memory of window bays with no view. Nothing to look out to but a plywood cocoon. The lonely soul of a house that once was.
Where now reside two headed sheep and men with four eyeballs, landladies ruled over troops of servants. Breakfasts and dinners were cooked, linen washed and beds changed. Guests home by 10.30 before the bolt went on the door. The Friday changeover as old residents were traded for new.
They say ghosts still stalk these floorboards like ripples across a pool of time. But, no, the building is a ghost. One that sleeps beneath the modern sideshow layer. And would Mr. Ripley’s clientele believe that… Or not?
Written and narrated by the Barry McCann for a sound sculpture created by Lucy Stevens, December 2011. Broadcast Grundy Art Gallery 2012 for the launch of ther Walls Have Ears anthology by Blackpool Heritage.